Q. Horatii Flacci Opera
by Horace
| Q. Horatii Flacci Opera | |
 Title page from Q. Horatii Flacci Opera, George Wythe Collection, Wolf Law Library, College of William & Mary. | |
| Author | Horace |
| Published | Londini: Impensis Gulielmi Innys |
| Date | 1711 |
| Edition | Editio quinta |
| Language | Latin |
| Pages | [20], 344, [16], 353-584, 573-619, [125] p. |
| Desc. | 8° (20 cm.) |
Quintus Horatius “Horace” Flaccus (65BCE – 8BCE) was a Roman poet about whom modern scholars actually have a good deal of information due to his own testimony and a biography by Suetonius.[1] He is unique in that all of his published work survived to this day.[2] Horace’s father was a freeman (a former slave) who achieved relative monetary success as a public auctioneer, enabling Horace to go to Rome and Athens for an upper-class education intended to raise Horace through the ranks of society.[3] Horace was in Athens when the Roman civil war broke out after Julius Caesar’s assassination in 44BCE, and from there he joined Brutus’ army as a military tribune from 44 to 41BCE when (he says) he ran away from the Battle of Philippi. He “counted himself lucky to be able to return to Italy, unlike many of his comrades-in-arms,” and was accepted into a circle of writers including Maecenas, who later gave him a farm – securing his financial position. This security enabled him the leisure time to work on poetry (which was vastly impacted by the Sabine region in which his farm was located) and maintain his personal freedom, declining close relationships that might commit him to others including an influential post offer by the Emperor Augustus, himself.[4] Though he treasured his privacy, Horace maintained a close friendship with Maecenas for thirty years and died several months after him without having ever married. [5]
In the 30s BCE, Horace wrote and published iambic poetry collectively known as the Epodes and the Satires, and then turned to lyric poetry referred to as his Odes. It is for the “perfection of form” and “depth and detail of his self-portraiture throughout” these poems that Horace secured his “position as one of the greatest of Roman poets.” His poems often addressed the key ancient topic of friendship as well as his country and countryside, both of which he greatly loved. Horace was so well respected and his works appreciated that his Odes were being used in schools before his death. He is still “the most quoted of Latin poets.”[6]
This specific work is a fifth edition of Horace’s works published in 1711 in London. It contains songs, biographies, notes, chronologies, and an index in addition to his Ars Poetica, Epodes, Satires, and Odes.
Evidence for Inclusion in Wythe's Library
Description of the Wolf Law Library's copy
Bound in contemporary full calf with five raised bands and gilt morocco label to spine. Covers feature blind tooling. View this book in William & Mary's online catalog.
