The Pursuits Of Literature

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The Pursuits of Literature: A Satirical Poem, in Four Dialogues, with Notes

by Thomas James Mathias

The Pursuits of Literature
MathiasPursuits1798TitlePage.jpg

Title page from The Pursuits of Literature, George Wythe Collection, Wolf Law Library, College of William & Mary.

Author Thomas James Mathias
Editor {{{editor}}}
Translator {{{trans}}}
Published Dublin: Printed for J. Milliken
Date 1798
Edition Eighth
Language English
Volumes {{{set}}} volume set
Pages 2 p. ℓ., 2 p., 1 ℓ., xxxi, 381
Desc. (21 cm.)
Location [[Shelf {{{shelf}}}]]
  [[Shelf {{{shelf2}}}]]

Thomas James Mathias (1753/4-1835) was an accomplished satirist and Italian scholar.[1]

Mathias is chiefly known for his satire The Pursuits of Literature, or, What you will which was published in four dialogues from 1794-1797. This work was in part a response to the French Revolution and prevalence of radicalism in democratic supporters.[2] Despite criticism of his lack of poetic proficiency, his satire of contemporary figures made it an incredibly popular work.[3]

After his mother’s death in 1799, Mathias published numerous Italian translations of English poems in a perfect mastery of the written language[4] and moved to Naples in 1814, where he became a respectful member of Italian society.

Bookplate of Rev. John Wm Beauman, front pastedown.


Mathias's Pursuits of Literature, or, What you will, a wide-ranging satire with extensive notes on the conceit and licence of contemporary authors, appeared anonymously in four dialogues, the first on 7 June 1794, the second and third on 14 July 1796, and the fourth on 19 July 1797. The poem was issued as a whole in a ‘fifth edition revised’ in 1798, alongside several editions of a translation of the classical passages quoted in the poem. The attacks on Payne Knight's Worship of Priapus and Lewis's The Monk are concerned with obscenity, and Mathias ridicules the ‘Black-Letter Kennell’ of antiquarians (especially George Steevens), W. H. Ireland, Parr, Darwin, and Gilpin, on literary grounds. There is praise for Gray, Mason, Beattie, Burns, Cowper, Ann Radcliffe, Capell, Johnson, Isaac Reed, and Jacob Bryant, as well as for several of Mathias's own works. But the poem is confessedly of its political moment, declaring openly that literature is an important tool of government. Held up for censure are Sheridan, Fox, Priestley, Paine, Horne Tooke, and Godwin. The vehement distrust of Catholics in the poem was also expressed separately in A Letter to the Lord Marquis of Buckingham (1796). [5]

Evidence for Inclusion in Wythe's Library

Description of the Wolf Law Library's copy

Bound in original full-leather covers with gilt title on read leather spine label. Purchased from Shoemaker Booksellers.

View this book in William & Mary's online catalog.

References

  1. Paul Baines, “Mathias, Thomas James (1753/4–1835)”, Oxford Dictionary of National Biography (Oxford University Press, 2004), accessed September 24, 2013. Unless otherwise noted, all biographical details are from this source.
  2. Thomas B. Gilmore and W.B. Carnochan, “The Politics of Eighteenth-Century Satire,” PMLA, 86, No. 2 (Modern Language Association, 1971), p. 277.
  3. Ibid.
  4. Anonymous, “Obituary of Thomas James Mathias,” Gentleman’s Magazine NS (Nov. 1835), pp. 550-52.
  5. Paul Baines, ‘Mathias, Thomas James (1753/4–1835)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 11 June 2013